REPRESENTED
ARTIST
VACHBOY
Born in 1989, is a Bangkok-based artist with a Bachelor's degree in Fine Art from Silpakorn University and a Master's degree in Digital Art from Rangsit University.
His work is inspired by the duality of life's good and bad moments, which they represent through the eyes in their artwork. One side of the eye is wide and rounded, representing carefree moments, while the other side is drawn as an X, representing tough moments.
His artwork uses a vibrant set of colors and simple elements to create a fun and entertaining mood and tone, which reflects the artist's personality.
Each piece is a metaphor for events from his personal experience and how they perceive the world.
Ultimately, the artist hopes that his work will influence the world in a positive direction, believing that creativity and fun can make the world a better place.
BUDDHAANDZ
Buddhaandz: A Modern Art Studio Blending Buddhism and Pop Culture
Buddhaandz uses a variety of old and new techniques to blend Buddhist mythologies with pop culture.
The artist was raised in a Buddhist environment and has always been fascinated by the religion. As a child, he would attend Sunday Buddhist school and learn about the Chadok tales from the Buddha’s teaching, Conandhawisan.
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While his father is an avid amulet collector, the artist was never drawn to the conventional aspects of Buddhism. He was more interested in art toys, which led him to create his unique style of Buddhist-inspired art.
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Buddhaandz work is often described as “eye-catching” and “handmade.” He uses ordinary objects from Buddhist culture and transforms them into works of art. For example, he has created a holy water bowl inspired by the four lotuses and a perfume that is consecrated similar to holy water.
His work, “Buddha and Jataka Tales,” is inspired by the Jataka tales, which are stories about the Buddha’s previous lives. The artist selected parts of the stories that he himself understood and enjoyed, and combined them with stories of remembering one’s life from many movies.
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Buddhaandz believes in the cycle of rebirth and death, and his work explores this concept in a unique and creative way. He is interested in the space between the known and the unknown, and his work invites viewers to interpret it in their own way.
His work is not only about telling the story of Buddhism, but also about connecting Dhamma to the world around us. His designs take into account the environment, and his ultimate goal is to inspire people to live in harmony with themselves and others.
WANSAVANG YENSABAIDEE
Born in 1980, Wansavang Yensabaidee is a Thai contemporary artist who bridges the gap between architecture and art, weaving his background in the former to create stunning and thought-provoking paintings and mixed-media installations.
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Yensabaidee's artistic journey began with a degree in architecture from King Mongkut's Institute of Technology Ladkrabang. However, his creative spirit soon led him beyond the boundaries of traditional architectural practice. He found himself drawn to the expressive freedom of painting and the ability to explore themes beyond functionality.
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Collage: A Signature Technique
One of the defining characteristics of Yensabaidee's work is his masterful use of collage techniques. He meticulously combines fragments of images, textures, and objects, often salvaged from various sources, to create layered and multifaceted artworks. This method allows him to deconstruct and reconstruct reality, challenging our perceptions of space and inviting viewers to engage in a deeper exploration of the artwork's meaning.
Yensabaidee's collage paintings are visually captivating and thought-provoking. They evoke a sense of renovation and transformation, prompting viewers to contemplate the passage of time and the ever-changing nature of the world around us.
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Exploring Themes of Memory and Identity
Yensabaidee's artistic practice extends beyond canvas. He creates immersive mixed-media installations that incorporate found objects, fabric, and paint. These installations often delve into themes of memory, identity, and the complex relationship between humans and the natural world.
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Through his diverse artistic expressions, Yensabaidee invites viewers on a journey of discovery. He encourages us to question our assumptions, contemplate the world around us with fresh eyes, and appreciate the beauty found in the interplay between reality and imagination.
Exhibitions and Recognition
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Yensabaidee has exhibited his work extensively throughout Thailand, including a solo exhibition titled "PAINTING" at Cartel Artspace in 2023. He is a member of the XSPACE artist collective and has received recognition for his unique artistic vision.
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A Creative Force to Be Reckoned With
Wansavang Yensabaidee is a vital voice in the contemporary art scene. His innovative approach to artmaking and his ability to bridge the gap between different disciplines make him a truly remarkable artist. His work continues to inspire and engage audiences, leaving a lasting impression on all who encounter it.
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PIPATPONG SEEPENG (CHOPPER)
Born 15 May 1999
Graduated from Visual Arts, Fine and Applied Arts, Bangkok University
Pipatpong interested in the topics of. Existential, Mental health, Coming of age and Identity. His works usually base on his personal experience, The struggle in life that are universal such as mental illness, childhood trauma, work task, the feeling of lost in life, loneliness, fear of uncertain future, and the past that hold us back.
He experiments in many mediums and tools such as printmaking, video art, animation, sculpture, makeup, collage, sound design, installation, and drawing.
A lot of his works inspired by his childhood memories and book illustrations.
EXHIBITED
ARTIST
MIT JAI INN
Mit Jai Inn is a contemporary Thai artist and activist. He is known for his strikingly sculptural and vivid paintings that challenge traditional modes of painting and exhibition.
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Mit Jai Inn was born in 1960 in Thailand. He studied art at the Silpakorn University in Bangkok from 1983 to 1986, but left during his final year to travel around Germany.
Between 1988 and 1992, Jai Inn attended the University of Applied Arts in Vienna, where he made sculptures and met Franz West, who hired him as a studio assistant.
Jai Inn's early works during this period were unstretched and unframed, as well as tactile and double-sided to counter elements of traditional painting.
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Encouraged by gallerist Alfred Pawlin, co-owner of the Visual Dhamma Gallery in Bangkok, Jai Inn returned to Thailand in 1992, which was then under military occupation. He co-founded Chiang Mai Social Installation (CMSI), a non-profit arts organization that provides a space for artists to experiment and collaborate. CMSI also works to promote social and environmental justice in Thailand.
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Jai Inn's work has been exhibited in solo and group exhibitions around the world, including at the Venice Biennale, the Tate Modern, and the Museum of Modern Art. He is the recipient of numerous awards, including the Silpakorn Award for Outstanding Artist in Visual Arts and the Fukuoka Asian Culture Prize.
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Jai Inn is a highly respected and influential figure in the Thai art world. His work is known for its originality, its social and political engagement, and its commitment to experimentation.
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Here are some of Mit Jai Inn's notable works:
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Tables and Pools (2018)
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Planes (Hover, Erupt, Erode) (2018)
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Dreamworld (2023)
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Dreamday (2022)
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The King and I (2020)
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Sunshower: Contemporary Art From Southeast Asia 1980s to Now (2019)
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Light, Dark, Other (2018)
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All Our Relations (2012)
GILES RYDER
Born in Brisbane, Australia.
Lives and works between Australia and Thailand.
A graduate of Griffith University in Brisbane, he also undertook Postgraduate studies at Sydney College of Art and Kunsthochschule Berlin, with funding from Anne & Gordon Samstag International Visual Arts Scholarship.
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The psychological and physical aspects of colour and light and their impact on how we re-imagine and interpret space are central to the art of Giles Ryder.
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The zing of ‘kandy-coloured’ neon, the soft ambient rosy glow from a pink flouro tube, the disquiet of violet, and the sleek reflective surfaces of machined metal utilized in his works impact our senses and perceptions of space and objects.
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Ryder’s works are hybrids of the found and the factory-made. He uses only recycled neon tubes and electrical elements, yet implements his honed industrial skills to custom-make machine tooled metal forms and apply meticulous auto-lacquer finishes. He takes a reductive approach to form, colour and line; in many instances, often distilled and pared to the minimum, yet always cognisant of ‘affect’
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Selected solo exhibitions include Black Magic (2012), Blockprojects, Melbourne; Artereal Gallery (2011), Sydney; The New Nouveaux Nullism (2010), Ryan Renshaw Gallery, Brisbane; Life without Rituals (2010), Blockprojects, Melbourne; and Vectorize (2009), Raum Weiss, Berlin. Selected group exhibitions include Be Abstract (2014), Kunstverein Schwabisch Hall & Ballhaus Ost, Berlin; Less is More (2012), Heide Museum of Modern Art, Melbourne; Conflicts of Interest II (2012), H Gallery, Bangkok; and the Korean International Art Fair (2011). Public collections include Monash University Museum of Art, Melbourne; Artbank, Sydney; and Griffith Artworks, Brisbane.
Ryder’s works are included in private collections in Austria, Dusseldorf, Berlin, Munich, Leiden, Netherlands, Edinburgh, London, Sydney, Melbourne and Brisbane.
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Giles Ryder teaches at Bangkok University International and has also taught at Sydney College of Art/The University of Sydney and King Mongkut’s University of Technology Ladkrabaeng in Thailand.
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Ryder is a previous recipient of the ARTAND Australia/Credit Suisse Private Banking Contemporary Art Award, which he was awarded in 2006, and was an Asian Pacific Artist Fellow at Korea’s National Museum of Modern and Contemporary Art in 2011. Giles Ryder is very active in exhibitions and projects in Australia and internationally.
TILMAN
Tilman, born in Munich, Germany in 1959, is a renowned abstract artist and curator. His diverse artistic practice encompasses paintings, built environments, and stacked and layered wall and floor-based objects. Tilman's work is known for its playful exploration of form, color, and space, inviting viewers to engage in a unique visual dialogue.
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Drawing inspiration from the traditions of Concrete and Minimalist art, Tilman's work explores the potential of form and color to manipulate light and space. His creations evoke a sense of curiosity and invite viewers to contemplate the relationship between the tangible and the intangible.
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​Tilman has established a successful artistic career, exhibiting his work internationally in solo and group exhibitions. He has been featured in renowned galleries and museums, including the Kunstnernes Hus in Oslo, Norway, and the Center for Contemporary Non-Objective Art (CCNOA) in Brussels, Belgium.
SUTTIKIET PUMPOUNG
Suttikiet Pumpoung is a contemporary Thai artist whose work explores the social and political landscape of his country.
Born in Chiang Mai in 1982, Pumpoung received his Bachelor's and Master's degrees in Fine Arts from Rajamangala University of Technology Lanna and Silpakorn University, respectively.
His artistic style is deeply rooted in Thai traditions, particularly the art of mural painting, while also incorporating contemporary themes and techniques.
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Pumpoung's work is often inspired by everyday observations and experiences. He uses his art as a platform to address social issues such as inequality, poverty, and environmental degradation. His paintings often depict scenes of everyday life in Thailand, with a focus on the struggles and triumphs of ordinary people.
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Pumpoung's paintings are characterized by their strong narrative quality. He uses vivid colors, bold lines, and expressive brushstrokes to tell powerful stories that resonate with viewers. His figures are often portrayed with exaggerated features and distorted proportions, creating a sense of urgency and emotional intensity.
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Pumpoung's artistic practice is a unique blend of traditional Thai techniques and contemporary approaches. He often employs traditional Thai motifs and symbols in his work, but he also incorporates elements of Western art, such as perspective and realism. This fusion of styles creates a visually dynamic and thought-provoking aesthetic.
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Through his art, Pumpoung gives voice to the marginalized and forgotten members of Thai society. His work shines a light on social injustices and inequalities, and it encourages viewers to reflect on the challenges facing contemporary Thailand.
MORAKOT KETKLAO
Studied under Montien Boonma, Morakot Ketklao is a Chiang Mai-based artist whose work explores the connection between the personal and the shared experience of global climate change. Through her captivating paintings, mixed-media installations, and collages, she creates a space for dialogue and reflection on the challenges of our time.
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One of Ketklao's defining characteristics is her innovative approach to mixed media. She skillfully combines paint, collage, and found objects to create layered and textured artworks that evoke a sense of depth and complexity. Her works are often filled with organic shapes and muted colors, reflecting the natural world and the passage of time.
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​Ketklao's work is not only aesthetically pleasing but also serves as a call to action. Through her art, she raises awareness about environmental issues and encourages viewers to consider their own impact on the planet.
THAIWIJIT PUENGKASEMSOMBOON
A Master of Imagination and Transformation.
Thaiwijit Puengkasemsomboon is an acclaimed Thai artist whose vibrant and imaginative works have captivated audiences for over four decades. Born in Pattani province in 1959, he currently lives and works in Chiang Mai, Thailand.
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Thaiwijit's artistic journey began with an unexpected twist. Originally trained as a graphic artist at Silpakorn University in Bangkok, he later pursued studies in the same field at the prestigious Akademia Sztuk Pieknych in Krakow, Poland. This experience broadened his creative horizons and opened his eyes to a world of artistic possibilities beyond traditional printmaking.
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Thaiwijit's artistic style is characterized by his unconventional and diverse use of materials. He is not afraid to experiment, transforming everyday objects such as wood, metal, cardboard, fabric, burlap, and even cement into captivating works of art.
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His masterful manipulation of these materials allows him to create a unique aesthetic that is both playful and thought-provoking. His paintings and sculptures often incorporate unusual shapes and forms, defying traditional artistic boundaries and inspiring a sense of awe and wonder in the viewer.
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Thaiwijit's art explores a variety of themes, including environmentalism, social commentary, and the human condition. He often uses humor and irony to address serious issues, inviting viewers to reflect on the world around them and their place within it.
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Thaiwijit's work has been exhibited extensively both in Thailand and internationally. He has participated in numerous solo and group exhibitions, showcasing his talent and innovative approach to art. His work is held in prestigious collections around the world, including the National Gallery of Thailand and the Bangkok Art and Culture Centre.
NOPPANAN THANNAREE
Noppanan Thannaree is a Thai contemporary artist whose work bridges the gap between traditional Thai art and modern sensibilities.
Born in Bangkok in 1988, Noppanan's artistic journey has been one of exploration and innovation.
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Noppanan received his Bachelor of Fine Arts degree in Painting from the prestigious Silpakorn University in Bangkok, laying a strong foundation in the principles of traditional Thai art. However, his artistic spirit yearned for something more, leading his to explore a contemporary approach that resonated with his own sensibilities.
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Noppanan is deeply inspired by nature. He finds beauty and wonder in the natural world, capturing its essence through her unique artistic lens. His paintings are characterized by their vibrant colors, delicate textures, and organic forms that evoke a sense of peace and serenity.
JOHN ASLANIDIS
The artistic practice of Melbourne-based artist John Aslanidis has a strong correlation with emergence theory, where complex patterns emerge out of simple interactions; from the artist asking a passer-by for directions to the Guggenheim and learning that they collect abstraction to a chance encounter on the A Train to Brooklyn with a man who so happens to be Basquiat’s former housemate.
Aslanidis’ canvases are composed using a set of mathematical intervals, not unlike a musical score, in a contradictory process of order and chaos.
art-almanac.com.au
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Collections:
Queensland Gallery of Modern Art QAGOMA,
Heide Museum of Modern Art
Bendigo Art gallery Victoria Australia
New England Regional Art Gallery, Armidale NSW
Bendigo Art gallery Victoria Australia
Westmead Children’s Hospital Sydney
The Arts Centre Melbourne
Artbank,
Lowensteins Arts Management
Sydney University collection
Allens Arthur Robinson
The Simpfendorfer collection Germany
Private Collections Internationally
