PAST EXHIBITION
There are only Color and Mountain
A solo exhibition by Surajate Tongchua
11 April - 4 May 2025
There are only Color and Mountain
ผลงานชุดนี้สุรเจตสำรวจภูเขาในฐานะสัญลักษณ์ของอำนาจที่ซ้อนทับและบดบังกัน เปรียบเสมือนโครงสร้างรัฐและอุดมการณ์ที่แข่งขันกันเพื่อครอบครองพื้นที่ทางความคิด สีที่ใช้สะท้อนการเมืองของสัญลักษณ์ ซึ่งแต่ละสีล้วนมีบทบาทในการแบ่งแยก สร้างอัตลักษณ์ หรือท้าทายขั้วอำนาจในช่วงเวลาต่าง ๆ
แม้เส้นขอบของภูเขาจะดูแข็งแกร่ง แต่กลับเหลื่อมซ้อนและเปราะบาง ไม่ต่างจากอำนาจที่ดูมั่นคงแต่พร้อมพังทลาย สีที่ไหลเยิ้มหรือตัดกันรุนแรงเป็นสัญญะของความขัดแย้งระหว่างแนวคิดอำนาจรวมศูนย์และการกระจายอำนาจ ขณะเดียวกัน การจัดวางภูมิทัศน์ในรูปแบบของจิตรกรรมตะวันออก กลับตั้งคำถามว่า สิ่งที่เห็นเป็นความจริงหรือเพียงภาพมายาที่ถูกสร้างขึ้นเพื่อความชอบธรรมของอำนาจ
ผลงานนี้ไม่ได้เพียงสะท้อนโครงสร้างอำนาจ แต่ยังเผยให้เห็นพื้นที่ของประชาชนที่พยายามแทรกตัวเข้าไปในภูมิทัศน์ที่ถูกครอบงำ และชี้ให้เห็นว่า แม้อำนาจนิยมจะบดบังประชาธิปไตย แต่การเปลี่ยนแปลงยังดำเนินอยู่เสมอ
There are only Color and Mountain
This series explores mountains as symbols of power that overlap and obscure one another, representing the structures of state and ideology competing to dominate the realm of thought. The colors used reflect the politics of symbolism, as each hue has played a role in division, identity formation, or resistance to power at different times.
Although the mountain contours appear solid, they are layered and fragile—much like power, which seems stable yet remains vulnerable to collapse. The flowing or sharply contrasting colors symbolize conflicts between centralized authority and decentralized governance. At the same time, the composition, inspired by Eastern landscape painting, raises the question of whether what we perceive is reality or merely an illusion constructed to legitimize power.
This work not only critiques power structures but also reveals the presence of the people striving to insert themselves into this dominated landscape. It suggests that while authoritarianism may overshadow democracy, transformation is always in motion.
Over The Line
A solo exhibition by Olarn Chiaravanont
25 January - 9 March 2025
A new day,
my stale head ponders lost seconds.
The coolness of bed sheets is long gone, absorbed by my languid limbs,
I get up with a grunt that exudes relief and apathy,
Then, stride forward toward the sunlight,
where lethargy awaits.
A clumsy leap over the line-scrawny branches snap-roots upend.
Will the growth persist, impervious in a realm of perpetual change?
I pull the blinds down for comfort but not before feeling a brush of gentle breeze.
Like a fleeting murmur..
stay anchored and revel in indecisions.
To and Fro
A solo exhibition by Rungruang Sittirerk
9 November - 12 January 2025
“To And Fro” is the project aimed to observe what is in between the parallel world of rural and urban through the examination on Chotana Road and its landscape in Chiang Mai Province. Chotana Road located on the boundary of Chiang Dao District and Chai Prakan District, which is full of complex mountain paths and stories related with people's memories, space, history, culture and contemporary life. The research found that people's lifestyles have steadily changed since the road was built in 1952, during a crucial time amid the tension in ideological space between Liberal democracy and communist socialism that formed throughout South East Asia at that time.
Since Chotana road was built, people, area, and cultures involved with that road have changed over time. Nowadays, the entire route has been transformed into a main road that connects the upper parts of Chiang Mai and parts of Chiang Rai together. We are all part of the past, either who initiate the impact or get the impact. The movement of people and cultures from one place to another is the reminder of this dynamic history. The word ‘we’, here may include people, construction or the memories, ‘how did we become like this?’ is not really a question, but it shows the context of how that attempt to pursue the ideological space which created this road (Chotana Road) has became memories; clear, vague, or even lost memories. The road is the only tangible trace left that represents the relocation of people who moved to the city to become workers. When we examine closely, the rocks, soil, sand and asphalt that were pressed on this landscape is the evidence of memories on the area, many people, labors, commodities, and goods have traveled through this road to Chiang Mai city and later toward to Bangkok.
On the way to Bangkok through this route, my family and young people from my villages were also part of the journey. What appeared to be the road, is the trace of the past that has been left behind. Traveling through the time, this road becomes the connection point. Past, present and future are tied up by this road. Similar to the threads that gather fabric together or the blood vessels that circulate blood throughout the body, labor, commodities, and a lot of resources are transported to nourish the city (Bangkok) as the center of the body via this road. This body is nurtured from the sweats and grits of the people, including their memories and their dream. This connection has led us to many other things, especially the desire of people to have a better life, capitalism has created those expectations. But the destiny of that relationship cannot converge on a parallel world between urban and rural areas. Seeing and being invisible to the need forlife is what I amtryingto explore inthis project.
Slice of Life
A solo exhibition by Sittikiet Pumpoung
13 September - 20 October 2024
We have been taught about the cycle of life—birth, aging, sickness, and death since we were young. These concepts are embedded in the general education curriculum. We all know that one day we will face death, yet, despite this knowledge, our awareness of this truth often fades, especially among the young or those in the working age who live fast-paced lives, filled with competition, the pursuit of happiness, and success. This makes death seem distant, as if it were not something that could happen to us at this moment.
Denying death may be a psychological mechanism to escape the pain and uncertainty of life. But the truth is that death is inevitable; it is a part of existence. When I encountered the "fear of death" due to illness, it made me realize the fragility and insecurity of life. Fear and anxiety began to shake my mind. Yet, paradoxically, it became an opportunity for me to reflect on life and commit to facing death with courage.
Confronting death does not mean surrendering, but rather preparing both body and mind to deal with this reality peacefully. The profundity of this preparation is not limited to mere acceptance. It also involves reflecting on the past, learning to appreciate the present, and embracing change without attachment. Accepting death as a part of the uncontrollable nature of life is not pessimism, nor does it devalue life. On the contrary, it is a vital step in preparing the mind for peace. This preparation not only readies us for departure but also helps us live a meaningful life. Understanding and accepting the truth of life’s end allows us to face each day with mindfulness and inner calm. Life, then, holds meaning in every moment, and death becomes a part of a beautiful journey.
Dance with Me
A Solo Exhibition by Wansavang Yensabaidee
3 August - 8 September 2024
“Wansavang Yensabaidee inspired the creation of the ‘DANCE WITH ME’ series, attempting to convey the nature of beauty or what we call ‘ABSTRACT.’
Many times, questions arise about what it means to transfer emotions in the form of colors and lines, leading to the transfer of emotions into this series of works as ‘EXPRESSION.’ These works reflect a sense of ease, much like dancing, allowing colors to flow freely in different tones, mixed with the inner essence of emotions felt in that moment.
Sometimes, ‘ABSTRACT’ is created to convey the perception of ideas, thoughts, and consciousness of an individual.
Sometimes, it serves as a record of events in a particular time frame.
But many times, what one does might be vague or abstract, but the results could create a unique impact that feels captivating.”
Bonzai
A Solo Exhibition by Buddhaandz
22 June - 28 July 2024
The art of taking the grandeur of nature and miniaturizing it into a small pot. Just like bonsai, humans have nature within themselves and grow differently, each in their unique pot. This can be compared to how individuals grow and develop differently within the “pots” of societal frameworks, cultural norms, and surrounding contexts. The pots we find ourselves in may shape us to grow in diverse and imperfect ways, yet each one of us possesses a unique beauty.
The letters A-Z might represent the initials of someone’s name or carry different meanings for each individual. As children, many of us learned to recite these letters.
What kind of pot are you growing in?
บอนไซ การนำธรรมชาติที่ยิ่งใหญ่มาย่อส่วนอยู่ในกระถางเล็กๆ มนุษย์เรามีธรรมชาติอยู่ในตัวและต่างเติบโตแตกต่างกันออกไปในกระถางคนละแบบ เสมือนแต่ละบุคคลมีการเติบโตที่แตกต่างกันในกระถางกรอบสังคม กรอบวัฒนธรรม บริบทแวดล้อม กระถางที่อยู่อาจทำให้เราเติบโตไม่เหมือนกัน ไม่สมบูรณ์แบบ แต่ล้วนแล้วงดงามในแบบของตน
ตัวอักษร A-Z อาจเป็นคำนำหน้าชื่อของใครบางคน หรือความหมายที่แตกต่างไปตามปัจเจก ตอนเด็กๆหลายๆคนได้ท่องตัวอักษรเหล่านี้
คุณอยู่ในกระถางแบบไหน?
Blue Mountains
A Solo Exhibition by PaKa
15 May - 16 June 2024
On the way to the mountains
There was a storm
Blue Mountains
A blue exploration
Cobalt blue
Simple blue
French Ultramarine
An in-your-face blue
Have a seat
On a salty savory bench
Look upon the range
Observe the blues
I think og
My grandmother
My cousin
My friend
I always take a moment
For my banana
Just looking casually
Before I peel it
One day I came across one
With a fishlike form
To be specific
A dolphin jumping
That Afternoon
A Banolphin was born
Orange sun
Solid sun
A fictional sun
What about a shining one?
Another day I saw
From the corner of my eyes
A banana sleeping
Lyisng peacefully on the table casting
A megenta shadow
On the way back
The sky cleared up
Blue Mountains
A new destination
Let it go
Letting go
ESCAPISM
A Solo Exhibition by Pipatpong Seepeng
30 April - 5 May 2024
This project is began with the idea of struggling with life after my graduation. A new chapter of life began, and I tried to figure out and deal with the issues those I don’t want to participate, such as work I dislike but had to get done, routine life, dealing with bureaucratic
problem, money issues, aging and body changes. these physical issues come with mental issues such as fear of failing and self loathing.
I’ve started to mentally escape from all the fears and anxieties, through my own imagination, through music, movies, and drawing. While I trying to solve my problem in real life, I also need this ‘escapism’ to maintain my sanity, and to maintain my sanity means to have hope and dreams for a better future.
We all have something we want to runaway from-our trauma, pain, someone in our life, our past, ourselves. it’s hard to accept the fact that sometimes we’re too vulnerable to face our own fears, but denying it might make it even harder to fight.
This project is dedicated to those who afraid of life, who feel alone and confused. It’s okay to be vulnerable, to fail, to lose. Tomorrow, we’ll try to solve our problems and change our lives again.
Pipatpong Seepeng
Born 15 May 1999
Graduated from Visual Arts, Fine and Applied Arts, Bangkok University
Pipatpong interested in the topics of. Existential, Mental health, Coming of age and Identity. His works usually base on his personal experience, The struggle in life that are universal such as mental illness, childhood trauma, work task, the feeling of lost in life, loneliness, fear of uncertain future, and the past that hold us back.
He experiments in many mediums and tools such as printmaking, video art, animation, sculpture, makeup, collage, sound design, installation, and drawing.
A lot of his works inspired by his childhood memories and book illustrations.
Sonic No.90
John Aslanidis
February 17 - March 24, 2024
Opening February 17, 2024 6PM
ARTIST statement
My intention is to create imagery where there is no starting or finishing point, capturing a fragment of infinity.in this regard my work has a strong correlation with emergence theory, were complex patterns emerge out of simple interactions
This systematic and interdisciplinary approach has a strong correlation with music, mathematics and science.
The vibration created by the kinetic resonance of the sonic network series occupies a sensory dimension, which exists between sound and vision.
A perceptual and serialized approach with conceptual and systematic underpinnings.
Aesthetics encoded with optimism embody social change.
John Aslanidis, February 2023
Featuring works by:
John Aslanidis
Cathy Blanchflower
Merric Brettle
Edgar Diehl
Craig Easton
Billy Gruner
Gilbert Hsiao
Zhejun Huang
Mit Jai Inn
Shi Lin
Kyle Jenkins
Sarah Keighery
Roland Orépük
Giles Ryder
Thasnai Sethaseree
Eiji Sumi
Be Takerng Pattanopas
Tilman
Iemke van Dijk
Guido Winkler
The concept of the ‘satellites’ exhibitions were the product of discussions in 2017, between Billy Gruner and the now sadly passed founder and curator of the International Biennale of Non-Objective Art in Pont-de-Claix Grenoble, Roland Orépük. Their aim was to use their strong international networks focusing on Non-Objective Art that both artists have created, enabling ‘satellite’ events at various locations in addition to the International Biennale of Non-Objective Art 7th edition.
These ‘satellites’ in part challenge the current role of Biennales in general and the global networks/agenda’s they promote. In contrast to these events, they are locally developed, explore personal and cross-cultural relationships and employ grass roots structures. They use the classic salon presentation format to reduce running costs which allow for them to be quickly and easily set up. They critique, in their very presence, the standard model of international art events for example, their DIY ethic and blurring of the lines between the positions of curator and artist. The hope is that they open up debate into what constitutes art in an international context and contribute to dialogue in these areas.
Bitcrusher - Evolving Aesthetics in Reductive Art
Non-Objective art seems rigid in its concepts and articulation, but it has the capacity to take viewers into new processes of thinking and seeing. It is ostensibly uncompromising in its character, yet it encourages unforeseen investigation and development via the artists strategic use of basic materials and forms to create a wide range of experiential and retinal readings. This offers the viewer a unique sensory and cognitive experience.
The consistent use of the removal of the figure and at times subject, allows for the exploration of unconventional textures, forms, colours and dimensions within the work. Consequently, Non-Objective Art is essentially experimental, considering not only material as ‘open’ but also concepts, techniques and processes. It is the fusion of unconventional materials for instance, like foil, metal, vinyl, plastics and various arrays of pigments, that create a dynamic interplay of contrasting textures and tones. Consequently, it is this layering of materials, pattern and colour that opens up unexplored avenues in this field. These combinations challenge established norms in abstraction inviting viewers to reconsider their own perceptions and perspectives.
Lastly, Non-Objective Art may appear rigid and inflexible on the surface, but it also represents a quantum opening up as it holds within it the potential for uncharted and expanding explorations. Through the interplay of innovative techniques, conceptual underpinnings, material fusion, and technological advancements, artists continue to chart new territories within the realm of Non-Objective art.
Bitcrusher
The BANGKOK SATELLITE, an event for the 7th International Biennale of Non-Objective & Reductive Art curated by The Talent Agency
January 5 - February 11, 2024
Neu Contemporary Winter Show
December 1 - 31, 2023
Artists:
Mit Jai Inn
Tilman Hoepfl
Thaiwijit Puengkasemsomboon
Morakot Ketklao
Noppanan Thannaree
Suttikiet Pumpoung
Vachboy
Buddhaandz
In this exhibition, Neu Contemporary explored the works of Thai and international contemporary artists who currently working with us.
Through a variety of mediums, including paintings, sculptures, and installations, discover the different ways in which ideas can be expressed through art.
Neu Contemporary Grand Opening: Giles Ryder and Mit Jai Inn
21 October - 30 November 2023
Mit Jai Inn and Giles Ryder teamed up to create an amazing combination between Painting and Lights
Mit's works are a part fo Series "Underground" which show at Gallery Ver during the same time. While Mit show his own lighting fixtures at the exhibition at Ver, He asked his good friend, Giles Ryder who specialize in lighting art sculpture which also resonate the concept of "Underground" story by Mit.
The works by Mit is a new series which never shown anywhere and is very exciting among art collector.
